Fill the stage.
Reach the last row.
Large-format LED walls, line-array audio and show control for auditoriums, convention centres and performance venues.
Front-row clarity to the back row, every show.
Large-format, high-brightness walls keep faces and text sharp from the front row to the last balcony seat.
7680Hz refresh panels stay flicker-free on broadcast cameras and audience phones alike.
Show-control presets switch between lecture, performance and cinema modes in one cue.
All panels are direct-view LED with quick-lock cabinets, seamless splicing and 24/7-rated components.



Real installations across India, from college auditoriums to 2,000-seat convention centres.






| Spec | Stage P3.9 | StagePro P2.9 | Elite P2.6 |
|---|---|---|---|
| Pixel pitch | 3.9 mm | 2.9 mm | 2.6 mm |
| Brightness | 1500 nits | 1200 nits | 1200 nits |
| Refresh rate | 3840 Hz | 3840 Hz | 7680 Hz |
| Viewing angle | 140° H/V | 160° H/V | 160° H/V |
| Lifespan | 80,000 hrs | 100,000 hrs | 100,000 hrs |
| Warranty | 2 years | 3 years | 3 years + AMC |
| Certifications | CE, RoHS | CE, RoHS, FCC | CE, RoHS, FCC, BIS |
Site survey to switch-on, no surprises on opening night.
Sight lines, throw distances, rigging points and structural load.
Wall geometry, audio coverage model and show-control architecture.
Rigging, splicing and calibration scheduled around your event calendar.
Pre-show health checks, on-call engineers and a dedicated spare pool.
Our 1,800-seat hall hosts everything from convocations to film festivals. The Kan Universal wall switches between modes in a single cue, and even the balcony rows read the smallest captions clearly. Their crew handled the entire install in the off-season without disturbing a single booking.
For venues where the nearest seat is 8–10m from the stage, P2.6–P3.9 delivers sharp imagery at a sensible cost. Closer thrust stages benefit from P2.0.